Scat

Author: Carl Hiaasen
Rating:
Reading Level:

Pages: 304
Publisher: Knopf (Random House)
Edition: Hardcover, 2009

This is definitely a fun book and many of my young readers already told me that they enjoyed reading the third offering from Hiaasen. Everything does hang together nicely and the punishment of the evil doers satisfying. Hiaasen did not shy away from super contemporary things: facebook, CNN/Anderson Cooper, and of course, the father who is injured in Iraq. This makes the volume a "timely" book for current readers and only time will tell if in a decade or two, young readers still will appreciate the story, despite the references to matters that can easily date the book.

Scat, however, does not offer much more than either Hoot, or Flush -- much of the same thing to young readers who like mysteries, who like to read stories about older kids (High School students as protagonists) but who do not necessarily wish to decipher complex sentence structures or figures of speech and who still enjoy jokes on fairly basic/bodily function levels.


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Bloodhound: Beka Cooper II

Author: Tamora Pierce
Rating:
Reading Level: 6th grade and up

Publisher: Random House
Edition: Galley, 2009



I really liked the first one and have been waiting for the second installment for a long long time. The second book still works. My initial quibble of not believing Beka able to write all of the stuff down in her journal still stands -- even with the explanation of ciphers and reports and how events are chopped down into several installments. Still seems a bit far-fetched. However, I guess if one believes in ghost-carrying pigeons and a young woman talking to street dust winds, one has to somewhat allow her to be able to write dialogs and descriptions in such minute details when recording her own exploits.

That's another thing: the pacing is a bit draggy at moments because it seems a bit too much of JUST Beka -- just her thoughts, just her experiences, and just her achievements. All the secondary characters (POUNCE, for example, who is absent for most of the story) take a real Secondary position here. Achoo the hound, although very important to the plot, is not satisfying as a strong supporting character because she is too much of a hound, no human traits at all. I love her, but she cannot replace Pounce whose wry humor adds so much to the flavor of the story.

Dale, as a secondary character at the beginning of the story, never got his chance to even remain in that position. By mid-book, he's already just a bit of thoughts in Beka's mind. This shows Beka's dedication to her work and how incredibly sensible she is, but I feel slightly let down by Dale's demotion. He definitely could have played a larger part in the story (either helping or hindering Beka's tasks) because he was positioned to do so from the get go (but peters out...)

Having Hanse explain all the rhymes and reasons seems a bit of an easy and very basic mystery device (for that is what this series is... Law and Order meets Tortall Fantasy.) I was hoping for huge surprises and unexpected villains and deeper plots.

Oh, I sound too critical, I do believe. Going to end by saying that I definitely enjoyed following Beka through the streets, watching her eat sea food, seeing her fight various villains -- above ground and underground. It's great to be back in the land of such cool magic. Am I now again eagerly waiting for the next book? You betcha!






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The Bartimaeus Trilogy

Author: Jonathan Stroud

Reading Level: 6th grade and up

This is a guest blogger post. Josh is 16 years old and just finished the trilogy. (I feel remiss here -- since I neglected to recommend this series to him when he was in middle school!) He sent me a long email with his reviews of the three books and we subsequently exchanged a couple more emails, especially about the endings of this trilogy and the His Dark Materials trilogy. There are plot spoilers.



ABOUT The Amulet of Samarkand

Bartimaeus is hilarious. I simply love the djinn. Nathaniel is interesting to follow as well, a fun character with a couple flaws. There really isn't much to speak of in this book other than plot: it's fun, but Bartimaeus is the real winner of this one.

ABOUT The Golem's Eye

Here we see Nathaniel turn into the pompous, arrogant named John Mandrake. He falls into the very trap Bartimaeus told him to avoid: letting the corrupting influence of magicians twist him into something horrible. The things he does and says are unbelievable, and the effect is doubled by how he behaved in the 1st book. We get introduced to Kitty, who's a good person at heart, and then gets caught up in the whole Honorius affair. Mandrake shows his bastardness with his perpetual breaking of vows, many only hours or less after having made them. Bartimaeus is fun as ever: was sad about Queezle, that she got introduced and then snuffed out, but oh well. So goes the storyline.

ABOUT Ptolemy's Gate

By far the most interesting, most powerful, most moving, most climactic of the three (well, for that last one I suppose there's a reason, being the end and all). We see Mandrake turn from arrogant into the marginally better (or worse, depending on your POV) "top magician". Bartimaeus evokes a lot of sympathy with his sorry state, and Kitty becomes my favorite character for the majority of the book.

And then Mandrake slowly crumbles, leaving a mature Nathaniel. He still has flaws, but then, so does everyone but Bartimaeus. As Kitty and Nathaniel work together, with each other (and slowly begin to admire each other: my guess is given a couple years, they'd end up as very good friends or more, provided Nathaniel doesn't relapse, which I don't think he would), it's my favorite part. To see Kitty put the same trust in Bartimaeus that Ptolemy did, showing greater understanding of him than perhaps even the Egyptian boy (though Ptolemy did not have someone's notes or previous history as guides, admittedly).

And then, when Nathaniel accepts Bartimaeus into his own body...this is where N/B takes over as my favorite character(s). The fact that, working together, they manage to destroy far more powerful spirits than they. The fact that, working together, they are the culmination of Ptolemy's hopes and dreams, the ultimate climax of Nathaniel and Bartimaeus' relationship, the fulfilling of the purpose of Kitty's visit to the Other Place...once they become both two souls and one, a single 2-part mind in a single body, I could not put it down even for work. I was breathless as they turned the staff on Nouda...

AM. Nathaniel hit by the Detonation. Coming from Barti's POV, it is even more effective. And then when Nathaniel realizes the seriousness of the wound, his acceptance of his fate and determination to do selfless good is such strong writing. The last meeting with Kitty, where N/B both know what has to be done, and the whole concealing it from K thing...I really felt it. Comparable, at least for me in my after-reading-state, to when Lyra and Will realize they must separate in Amber Spyglass.

True to form, he breaks his final promise, having finally made one beyond his power to keep. This was where I was sad that the "item" could never happen (Kitty's picking through the wreckage at the end made me think she was feeling the loss of a possible future, one containing more happiness, or at least more possibility, than her current one, a future with a united djinn/human in it).

I thought that writing N and B's end at the very end was the best move of the whole trilogy. We already know what happens: we know that the great evil is destroyed by the heroic death of N/B. Now we get to see the heart of darkness, the center of the inferno, as N/B march to their death. The connection between them in this scene is so powerful I thought they might actually survive. This isn't the usual master-servant relationship; this isn't even Ptolemy's relationship. Ptolemy was a trusting, kind, benevolent, freedom-giving master, yes, but he was a master, as evidenced by his final dismissal of Barti. N and B banter as friends, they speak as equals, as 2 halves of the whole. Nathaniel's character at the end here practically radiates goodness off the page. And then, the way he dismisses Bartimaeus, I feel, is from an equal to an equal. The delivery of the dismissal is not that of a master dismissing a slave, but of a friend releasing a friend.

My throat was seized up the whole final scene, but it was the 2nd-to-last paragraph, where the Staff breaks, that the tears almost fell (almost, because I usually manage to keep them in while reading, though I failed during Amber Spyglass several years ago). The simplicity of the writing there - "Nouda did this. Nathaniel finished the Dismissal. I went. The Staff broke." had so much raw POWER in the way it was written. Stroud simply couldn't have written that end any better (except maybe Nathaniel surviving: just as he turns good, he turns so good that he must make up for the magicians' sins and evildoing. He dies for a better world, and I do rather prefer when they get to actually see that world).

I'd discuss the last paragraph but I need breakfast. Barti's final words in the trilogy, starting with "typical master", given that Nathaniel was anything but, either give the paragraph a tone of affection or a tone of disgust. Choice of the reader, so I chose affection :)

*** (Another email discussing the endings of Amber Spyglass and Ptolemy's Gate is omitted.) ***

Amber Spyglass had a Tough ending...but I think that, for me, Ptolemy's Gate takes the cake. To see what Nathaniel becomes by the end of the trilogy...in book 1 he was bumbling but likable, in book 2 I nearly burned the pages with him, in book 3 first couple parts I was a little put out with him (especially given his treatment of Barti), in last 150ish pages I thought, "This is what he should have become from book 1." The opposition of him + Barti and him from the previous books was so pronounced, and the tentative friendship springing up between him and K...it all made his death doubly sad and twice as noble.

Still tugs at the hearstrings, reading it. It's his Redemption, and yet he goes so much farther than he "needed" to, to redeem himself. For once, a magician of the old generation does what people of such power are supposed to do (at least in our society): use it for the people, sacrifice himself for the commoners.

FAIRROSA:

I cannot really honestly say which one affected me more at the moment of reading -- but I do think that Lyra and Will's final parting has a much stronger lingering effect. I read that scene, what, 8 - 9 years ago and I can still feel the sorrow now; whereas I do recall Nathaniel's final sacrifice (and you described it so well below) and how much I sobbed over it, it does not give my heart a blow whenever I think of it.

JOSH:

It's something about the way the two are written, I think. Something about them makes Bartimaeus stronger than HDM for me. I can't place it...my first guess would be that in Barti, the whole experience comes from 1st person, and their unity is such a 180 from everything before it, but I'm not sure if that's it.

Maybe it's the fact that N/B was 4 days ago, and L/W was 4 years ago...but there's no way to either prove or disprove that.

Argh.

Given the time difference between reading the two (not too much for an adult, but for me it's my entire emotional maturation to date), I don't think I can honestly say either one. L/W affected me more, but I hadn't read many books before then in which the heroes either die or must sacrifice something HUGE to win. I'm more used to it by now, and being a fan of happy endings, anything with such sacrifice will .

Graceling

Author: Kristin Cashore
Rating:
Reading Level: 7th, 8th, and older

Pages: 471
Publisher: Harcourt
Edition: Hardcover, 2008

I absolutely loved this book -- against my initial somewhat negative reaction to the very plain and sometimes clumsy prose and exposition. (The "listing" of kingdoms/names and their relationships definitely, or starting two consecutive sentences with the word And, or slightly muddled sentences like this, "... as if he'd done nothing wrong, nothing completely and absolutely wrong." -- none of this held much promise.) And of course, since I was reading it with the Notable Children's books in mind, the one sort of heavy sex scene stood out as not entirely necessary at the time. (Although, a lovely scene.)

And then, something changed: the characters became real and vivid and completely compelling and the plot took some unexpected turns that caught even me, a veteran fantasy reader, by surprise. I could not put it down and rushed to find out what happened next. Here are some of my thoughts as I read it:

1. In some ways, this one reminds me of Twilight: with its two main young protagonists completely absorbed with each other, against all odds and other people's views over their "talents." But, it is somehow "anti-Twilight" in that these two made a choice to have a physical relationship without conforming to the socially acceptable norm.

2. In some ways, this one reminds me of Jane Austen -- I know it is a far cry -- in that the two characters are initially at odds against each other emotionally, even though they are completely attracted to each other. It also is much like many many Harlequin Romance novels in this aspect -- except, except that they reconcile their differences early on, not dragging or making that sexual/emotional tension into the entire focus of the story (THANK GOODNESS!)

3. In some ways, this one alleviated a little bit of my need to read something akin to George R.R. Martin's Song of Ice and Fire series: there are several very surprising plot twists that made me go, "WHAT?" and almost drop the book! (Of course, SoIF is so much so much more complex and so much grander in so many ways...)

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Here Lies Arthur

Author: Philip Reeve
Rating:
Reading Level: 5th to 8th grade

Pages: 352
Publisher: Scholastic
Edition:Hardcover, 2008

This is a book for the Arthurian Legends enthusiasts, and I happen to be one. Having read many re-imagined Arthurian tales, I was completely delighted by this fresh take on the “true story” behind the legends. Reeve’s conceit is a fabulous one: it is all about the power of stories, storytelling, and story tellers. The title alone is worthy of much examination, with its double meanings of "lying dead" and "telling lies."

At the beginning, I was perplexed by the switches between past tense and present tenses. Slowly, I realized the why and when of such passages. This is a meta-fiction in a slightly different form and it really works for me.

I imagine that, though, this might not be as much fun for some others. If you don’t find piecing together pieces of a complex story puzzle (who’s who and which event eventually “became” which well known tale,) then, you won’t be having as much fun as I do. If you are not usually a sucker for stories that “discuss” the underlying philosophical elements of story-telling or humans’ needs for such elaboration, then, you probably won’t like this book as much as I do. And if you are not totally loving the meta-fiction genre, then you definitely will not enjoy it as I do. Also, if you only want a story with magic and valor, (that’s what I expected, before reading the actual text) then, you definitely will be disappointed. This is one Arthurian tale, featuring heavily the prototype character or Merlin (Myrddin) that definitely has NO magic whatsoever!

What’s even more impressive with this tale is Reeve’s ability to actually tell a cohesive story, with a highly believable and admirable main character, set against a convincing backdrop. (Although one might say that the language of the telling is fairly contemporary 21st century, it is to be excused because the teller could be anyone in any time – everything is apparently made-up anyway.)

To say that I am highly impressed is to put it lightly. I hope many others (especially middle school readers) will find this an intelligent and satisfying read!

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Swords: An Artist's Devotion

Author: Ben Boos
Rating:
Reading Level: for all readers

Pages: 96
Publisher: Candlewick
Edition: Hardcover, 2008


I couldn't believe my eyes, flipping through page after page of beautifully rendered swords from many time periods and many cultures, how visually perfect this book is! No matter whom I showed this book to (HS students, MS kids, other adults) - the reaction was the same: an astounded delight at this Feast of the Artistry of Beautiful and Elegant Swords. I'm glad the inclusion of Asian and African swords and their histories (although would have like a more balanced proportion in treatment...)

This makes a great holiday gift for any child who enjoys this topic. The general and specific notes on various types, their usages, their histories, and those who used such and such swords are easy to read and absorb. But one definitely doesn't need to read all the text to enjoy the book.

I am so happy of this book's existence!

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Brooklyn Bridge

Author: Karen Hesse
Rating:
Reading Level: 6th and up

Pages: 240
Publisher: Feiwel & Friends
Edition: Hardcover, 2008

I did not know that this would have been so good. I did not expect that I would have loved it so much and that I could not stop reading it and pretty much finishing it in one "fell swoop." It seems Dickensian, but that might not be a fair comparison because it is actually quite sparing and except for the intentional repetitive phrasing in those dream-like segments about the children "under the bridge" (and so effective, those poetic passages.. *sigh*), there is not that much repeated sentiment. I was drawn in, felt like I lived side by side with Joseph, and often was surprised at the richness and the vividness of the world I "saw" through the text. It doesn't hurt that I (and my family) adore the sense of place and history and the bustling life of Coney Island.

I wasn't sure at first about the vignettes of the children under the bridge but found them so mesmerizing and expanding of the experience of the turn-of-century Brooklyn - not only those who "made it" but of those who struggled and failed... I imagine that I'll remember Joseph's story for a long time, but I will never forget the Radiant Boy's, or Mattie's, or Otto's, or the story of May who almost died from eating the poisonous meal, twice.

It's an intricate tapestry and an "important tale" that is beautifully woven in the hand of artisan.


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Sunrise Over Fallujah

Author: Walter Dean Myers
Rating:
Reading Level: 6th, 7th, 8th, YA

Pages: 290
Publisher: Scholastic Press
Edition: Hardcover, 2008

It took me a while to read this one -- in between, I finished quite a few other books -- my opinions of the story and the telling wavered like a pendulum: sometimes I felt detached, bored and other times my heart almost stopped and I did not want to read on for fear of what was to come in the story, to the soldiers, to the "enemies." It was at times, predictable, like the last death of the story -- you did see it coming, somewhat. However, it did not diminish its impact and the manner of the soldier's death elevated the book for me -- the last letter was so real. So my final "verdict"? This book feels "real" -- the mundane parts are mundane, because that is what an ordinary life is and we are seeing just an ordinary young person's life, in an unusual setting. It is also real when things get to be so surreal that not the character, nor the reader can really absorb or interpret what's going on. The emotion is true and raw and the manner of telling matches the character. So, all in all, an excellent book about a timely and important topic.

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Moribito: Guardian of the Spirit

Author: Nahoko Uehashi
Rating:
Reading Level: 4th to 8th grade

Pages: 272
Publisher: Arthur Levine/Scholastic
Edition: Hardcover, 2008 (ARC)




I posted this on Goodreads but want to highlight this one specifically here... for anyone searching for a good fantasy that is not the typical English original -- this is a GREAT new offering:

It's a book that I can feel entirely enthusiastic about recommending to children who look for fast-paced and action packed stories with magic.

It's a book that features unusual characters: the protagonist is a 30-year-old warrior woman who wields a spear with great skills and who has a rich back story and an intriguing future story to look forward to.

It does not alter its sensibilities for an American audience.

It has incredibly visual action scenes (yes, they do read like Animes, but this was turned into an anime series and I believe the lines between novels/mangas/animes are fairly blurred and cross-able and re-cross-able in the contemporary Japanese culture.)

The exploration of the "storytelling" theme strikes a chord with me, especially the idea that children's rhymes and folklores are "real" messages, to deal with real life crisis and issues.

The idea of overlaying worlds of the Real and the Fantastic are not uncommon in fantasy traditions and especially in the Manga tradition -- but here the author so tangibly captured the moments and the imagery of the two worlds when someone straddles the two realms. It made me feel as if I were the character who peeks into the fantastic realm and that that world could very well be next to me, waiting at my next breath.

Of course, there is quite a bit of nostalgia here, too -- this story echoes those martial art novels (wu xia) that I grew up with in Taiwan. The characters, their relationships, the fighting skills and scenes, the themes, etc. are all exactly what I liked as a young reader and still like as an adult.

I am just so pleased that this series is brought to the States and may allow more titles like this or even open the door to translations of wu xia xiao shuo... That will be truly a dream comes true!

Harry Potter and the Deathly Hallows

Author: J.K. Rowling
Rating:
Reading Level: 5th and up

Pages:
Publisher: Scholastic
Edition: Hardcover, 2007

I got the book shortly after midnight on Saturday morning, July 21..., at "The Harry Potter Place" party hosted by Scholastic. Spent 2 hours reading it (1:00 a.m. to 3:00 a.m.) -- thought, "Now, this is quite good. I'm not annoyed by redundant adjectives or adverbs or repetitive verbs... And I'm really sucked back into this world again. How wonderful this feels!" Then, most of the day and evening of July 21 was spent reading/dozing off/reading/dozing off on the comfy chair in the living room. Dozing off, not because the story wasn't exciting but simply due to exhaustion. So, these early chapter and adventure took on a dreamy quality -- I wonder if it's the text or just because I was dreaming ... and Harry was doing a lot of dreaming and seeing through another's eye. His was nightmares, mine was a reader's trance. Being a slow reader, I couldn't finish it on Saturday. And I dared not get online to visit any book places, in fear of knowing what comes next. Not that it would have spoiled my experience... but, in a book full of deliberately hidden clues and mysteries, it was more fun to not know anything and slowly discover the "truth." Sunday saw me busy entertaining house guests and stealing moments to dip back into the tale. By bedtime, I was so deep into the world and so engrossed with the plot threads that I knew today (Monday) couldn't be spent in any other way but finishing it.

And finishing it I did, with much shedding of tears, much satisfaction with certain of my "predictions" came true, delighted in the reappearance of certain characters and elements from previous books, and inevitably slightly annoyed by a couple of threads and characters left underdeveloped. But, over all... it was a truly satisfying conclusion to a long journey. The many many pages in this case are not wasteful or draggy, but fitting for the exhausting and arduous journey that Harry and the Gang undertook. I'm just, really, pleased.

Captives

Author: Tom Pow
Rating:
Reading Level: 7th and up

Pages:
Publisher: Roaring Brooks
Edition: Hardcover, 2007 (ARC)

I really appreciate the layered perspectives from all parties and the courage Tom Pow exibits as an author to not put forth a more popular view point in condamning the captors. The setting is brought to life vividly and each character and their back story convincingly portrayed.

The switch from Part I to Part II is a little too fast and it took some adjusting to change gear and expectations. To have the second part as an unpolished manuscript that Martin scribbled in one night seems a bit far-fetched, though.

The New Policeman

Author: Kate Thompson
Rating:
Reading Level: 5th-8th

Pages: 442
Publisher: Greenwillow
Edition: Hardcover, 2007

Hallucinating. Mesmerizing. Tantallizing. Extraordinary.
(Charming, seductive and completely enthralling - as described by Eoin Colfer, which is apt, as well.)

I especially adore the fact that, instead of leaving the identity of The New Policeman subtly hinted and hidden for readers to puzzle over (although it got more and more obvious as the book goes -- perfectly executed, those little hints throughout), there is a resounding confirmation. It makes this a most satisfyig children's book: the readers are not left with a malencholy that hangs over our head -- which it can EASILY go.

The short chapters match so well with the missing Time. As an Irish music fan, I can't help but humming all the tunes after each chapter. How cleverly done those are -- and Thompson even composed a couple herself.

This is a deserving award winner (of both the 2005 Guardian and Whitbread Awards) and should be relentlessly promoted to all worthy young readers!

Mismatch

Author: Lensey Namioka
Rating:
Reading Level: 6th-8th grade

Pages: 217
Publisher: Delacorte
Edition: Hardcover, 2006

I agree with almost every notion Namioka presents in this book: that no singular experience (no matter one's race or heritage) is truly shared by all and that one has to discover and rediscover one's heritage and relationship with that heritage over and over again: a life long endeavor.

However, these "messages" are so heavy that I felt as if being sat on by a giant troll and had the air squeezed out of my lungs the entire time while reading this book. This is not an organic story, growing out of the young couple's (Japanese and Chinese American teens) love for each other, but a plastic plant with the author's hands manipulating the shapes of the branches and the color of the flowers and all the folds of the leaves. It seems such a shame that a potentially profound story can become so superficial and the "solutions" of the cultural and racial conflicts are unconvincingly simplistic. I cannot bring myself to believe that the grandmother (who is about my own mother's age, with similar experience as a Chinese young girl in Japanese occupied China) would have accepted the Japanese family within a week of her discovery of this dating business. How can someone's life-long bias against an entire orther race be altered overnight? Anyone who does not have this specific "Asian" experience should still know that racial biases do not get resolved like this. This story's all happy endings render all the messages too lightweighted to matter at all.

Weedflower

Author: Cynthia Kadohata
Rating:
Reading Level: 6th - 8th Grade

Pages: 260
Publisher: Atheneum (S&S)
Edition: Hardcover, 2006

Kadohata's strength lies in her quiet tone and close-up examination of the main characters' thoughts and feelings. Weedflower is a perfect example. The readers are intimately familiar with every strand of emotion in Sumiko's life but the full picture of the time in history is a bit foggy. The fate and experiences of Sumiko's uncle and grandfather (in the prison camp) is also sketchy at the best. This is in keeping with Sumiko's young girl perspective. There is no telling if Kadohata had opted to force other pieces of the historical puzzle into the telling, the result would have been a more diluted or intensified tale.

My personal issue with this book is my indifference to Sumiko. I don't find her particularly inspiring or even likable. Her status as a social outcast seems more self-imposed than forced upon by others and her small triumphs did not stir much admiration in me. I felt impatience and displeasure, rather than empathy, for her. Maybe because she seems way too self-absorbed - which, once again, shows the author's skill at portraying a realistic person without false glorification. But, I need that glorification. I need to see that she opens her eyes and understands more about what is affecting her people, and not just how miserable her own life is or what's going in within her immediate environment.

Report from the field: Several people (of Japanese and general Asian descent are troubled by the cover. Their first reaction has been consistent: "No one at a Japanese-American Internment Camp would have worn a kimono! That is entirely inaccurate!" And besides, Sumiko never once wore a kimono throughout the entire story.

Samurai Shortstop

Author: Alan Gratz
Rating:
Reading Level: 6th - 8th

Pages: 280
Publisher: Dial (Penguin Putnam)
Edition: Hardcover, 2006

Every scene is necessary in this tightly written and thoroughly researched historical novel. The events unfold as the momentum gains and as Toyo's self-understanding grows - subtly but with such forces that I could not put the book down. The opening scene of detailed Seppuku (suicide by cutting open one's own stomach) ritual and some of the High School hazing methods are definitely not for the faint of heart. Yet this is not a book about violence, but about honor, loyalty, teamwork, inner strength, and physical strength, as well. All the necessary components of a successful baseball team.

To link the spirit of Bushido (Way of the Warriors) and baseball presents such a fresh look on the American's National Pasttime that will inspire many young readers to think about the sport they love more deeply and meaningfully. This is an amazing and perfect book!

Note on Cultural Inaccuracies: My suspicion was confirmed by a Japanese friend that since Gratz is not Japanese, nor is he an expert in the Japanese language, some cultural inaccuracies occur in the book. The most glaring problem for me is the use of first names of anyone elder. It simply is not done -- not then, and not even now in the 21st century. A son will never call his own father by the first name - no matter HOW much he detest his own father. When calling an upper classman, one will always use honorifics: -san and -sempai attached to either the first or last names; and when the younger students are addressed, the older ones might use -kun. These can be easily researched -- even a simple google search or any entry level Japanese language text book can reveal the correct usage of these honorifics. Since it IS still an integral part of the Japanese culture, the ignoring of such practice shows a certain mentality from the author and the publisher. What a shame!

The King of Attolia

Author: Megan Whelan Turner
Rating:
Reading Level: 6th grade and up

Pages: 387
Publisher: Greenwillow
Edition: Hardcover, 2006

Such an intriguing, subtle, and exciting book! Since I did not read the first two in the trilogy (The Thief and Queen of Attolia,) the first chapters of this one are somewhat confusing because all the relationships between characters and the political complications are presented in the most ambiguous way. I know this is Turner's style and became appreciative of this ambiguity as the tale unfolded in front of me. I learned to just sink into the story, follow the lead of the narrator and let go of my impulses to make sense of everything, trusting that all will make sense eventually. And it delivered: all the threads are gathered at the end and the knot is tied up neatly, very satisfying! And I couldn't help but falling in love with the characters -- all of them, but mostly, of course, with the King and the Queen, whose love for each other rises out of the page and grabs hold of me, almost physically. This read is quite an "experience."

Hope Was Here

Author: Joan Bauer
Rating:
Reading Level: 5th - 8th

Pages: 186
Publisher: G.P. Putnam's Sons
Edition: Hardcover, 2000

I can see that, maybe, some readers will find parts (especially toward the end, when most things turn out exactly right) of this story a bit too good to be true, or even sappy, but I definitely ate it all up! Joan Bauer has the talent to capture many different personalities as only an observant writer would: they are just your every day ordinary people, they sound real, they act not that out of the norm, and yet, each single one of them also carries a little spotlight around that makes you, the reader as audience, see the details defined much more clearly and each of them shines with a glow that makes them a bit larger than life. Reading Hope Was Here, like reading its twin, another excellent book by Bauer, Rules of the Road, inspires the reader to examine the every day life and people with a special lens that captures what's just below the surface that makes every thing and every body that much more special. We become less lazy about what we do and how we feel. I'm surprised that no one has offered a movie deal to turn this into one of the core American Spirit (dare I say Value???), feel-good, summer family movie! It has all: quirky, interesting characters, a mystery to solve, some very witty internal monologues (and food metaphors,) lots of hope and courage, and some romance, too. It's a bit like Sideways, only it deals with the philosophy of Diner Food, not red wine, and it's about a 17-year-old girl, not a middle aged man, of course!

As I read this book that has been quite popular with my 5th graders, I was constantly amazed in wonderous puzzlement: why do my girl readers, who are mostly from well-to-do families, and who has lived the city life all along would find this book so irresistable that they excitedly recommend it to their best friends all the time? What do they see and feel in it that speaks to them so much? The interesting and witty main character (Hope) alone cannot carry the weight of the entire book... what else? I'll have to remember to investigate that one when school starts in a couple of weeks.

Criss Cross

Author:Lynne Rae Perkins
Rating:
Reading Level: 6th and up

Even though it took me some effort to get into the main part of the story, once I adjusted my own mood to fit the text's, the characters came alive and all the little scenes brought quite a bit of enjoyment: from their humor, insights, or authenticity. Definitely a book speaking for a specific audience -- and there is no predicting whom it might attract.